Introduction : Jim Crow's cultural turns -- American graffiti : the social life of Jim Crow signs -- The signs of race in the language of photography -- Cultural memory and the conditions of visibility : the circulation of Jim Crow photographs -- Restroom doors and drinking fountains : perspective, mobility, and the fluid grounds of race and gender -- The eyeball and the wall : eating, seeing, and the nation -- Double take : photography, cinema, and the segregated theater -- Upside down and inside out : camera work, spectatorship, and the chronotope of the colored balcony -- Remaking racial signs : activism and photography in the theater of the sit-ins -- Afterword : Contemporary turns.
Summary
"The George Gund Foundation imprint in African American studies."--P. [i] of preliminary pages.
